Episodes

Monday Apr 18, 2022
Episode #85: Aleksi Glick
Monday Apr 18, 2022
Monday Apr 18, 2022
As a member of a musical family, Aleksi has been exposed to virtually all styles of music since birth, from jazz to classical, folk to rock, and a half dozen other stops in between some of those genres. He’s listened to everyone from Jimi Hendrix to John Scofield, Derek Trucks to Wes Montgomery. His guitar speaks an authoritative language and yet, there is a relaxed feeling and an inbred admiration of music’s many faces. The sound is warm, round, and full, the phrasing is like a smooth-flowing brook, bubbling here, charging there, but always reflecting his basic understanding of what his instrument is about.
As any good New York artist does, Aleksi plays with the best and brightest across the creative landscape. From films to radio, pop to jazz, on tape or video, he maintains an ideal balance of adaptability and uniqueness. He’s played and/or recorded with Snack Cat (The Funk-Soul band he leads), Roberta Flack, Jersey Boys, J Hoard, Bailen, the Broadway cast of Aladdin, The Seth Weaver Big Band, Bailen, Peter Bernstein, Sam Dillon, Paul Bollenback, Augie Haas, Benny Benack, Vic Juris, Mike Glick (his pops) plus dozens of regional and nationally known bands and artists. He has also worked with major labels and publishing companies including Warner Chappel, Warner Music, Ropadope, APM, EMI, and Outside in Music.
Guitar and Me is the debut solo release from New York-based guitarist Aleksi Glick. The album plays as a genealogy of the guitar, weaving through various musical styles that have been crucial to the guitar’s evolution as well as influential to Glick’s own journey with the instrument. While still rooted in jazz and blues, the album pushes the boundaries of the genre by seamlessly floating through an eclectic mix of other styles including R&B, folk, rock, and bossa nova. Guitar and Me feature thirteen original compositions and solo arrangements of guitar-based classics that Glick recorded while in isolation at the height of the Covid pandemic.
The album starts off with a burner, “With Ease,” an original bluesy hard bop tune that came to Glick after a memorable Mardi Gras in New Orleans. The bossa and R&B-infused title track “Guitar and Me” follow as Glick’s own love letter to his guitar. A mix of originals, jazz standards, and classic songs follow. Other highlights include an arrangement of the Grateful Dead fan-favorite “Casey Jones” and the timeless classic “Georgia on My Mind.” “A Tune for Vic,” is a moving tribute to Glick’s recently deceased mentor, the late great Vic Juris. The album concludes with another original, “Rebirth” which is an homage to Glick’s early love of classic rock, and finally “Long Black Veil” one of two tracks that Glick sings on. With each track, you can hear the different influences on Glick’s playing from the classic tones of Wes Montgomery to the modern techniques of John McLaughlin, to the dynamic energy of Jimmy Hendrix. In this episode, Aleksi shares his background, education, and musical journey.
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Sunday Apr 10, 2022
Episode #84: Emma Rawicz
Sunday Apr 10, 2022
Sunday Apr 10, 2022
Emma Rawicz is an award-winning young saxophonist and composer, already making waves on the UK music scene. She has been described as a force to be reckoned with' (Jazzwise) and 'a fast-rising star' (London Jazz News). At the age of 20, she has already recorded her eagerly awaited debut album featuring Ant Law, made up entirely of her original compositions, the first single Voodoo was released in February, and the album Incantation is due to be released in May 2022.
She has also created a name for herself both as a bandleader and a sideman. New arrival on the scene, she has already made an impact, regularly playing at major London jazz venues with a wide range of established musicians. Emma is a recipient of the 2021 Drake Yolanda Award.
Emma's influences range from modern jazz and fusion to folk and soul, key figures in her musical development include Chris Potter, Ari Hoenig, Kenny Jarrett, Joe Henderson, Chick Corea, and more.
Growing up in rural North Devon, Emma didn't discover jazz until the age of 15, and didn't pick up a tenor saxophone until a year later, but had spent her childhood otherwise immersed in largely folk and classical music.
Emma is a natural performer. Her music has a unique sound, fusing all her many influences, and her compositions range from lilting Afro Cuban-inspired grooves to hard-hitting modern jazz and funk numbers. In this episode, Emma shares her background, education, and musical journey.
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Sunday Mar 27, 2022
Episode #83: Naughty Professor
Sunday Mar 27, 2022
Sunday Mar 27, 2022
Naughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous
recordings and horn-charged, high-energy live performances have earned them an enthusiastic
fan base, critical acclaim, and widespread attention from their musical peers. Their diligent roadwork has established Naughty Professor as a beloved live act. Weaving together with complex, inventive compositions and loose, organic improvisation, the band honors their hometown's jazz, R&B, and brass-band traditions while looking to the future.
Where their first four releases showcased the group's knack for self-contained instrumental
experimentation, their upcoming EP Good Things continues the trajectory of their 2017 album Identity by joining a trinity of explosive collaborators, whose instrumental and compositional contributions continue to expand the music into new territory. Naughty Professor has shared the stage with artists such as Soulive, Galactic, Snarky Puppy, Fitz, and the Tantrums, The Revivalists, Rebirth Brass Band, The Soul Rebels, Papadosio, George Porter Jr., Victor Wooten, and many more. In this episode, Sam and Noah share their background, education, and musical journey.
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Monday Mar 14, 2022
Episode #82: Sigurd Hole
Monday Mar 14, 2022
Monday Mar 14, 2022
Sigurd Hole has been a vital part of the Norwegian music scene for the past decade, both as part of different jazz ensembles and through his work related to Norwegian folk music. In February 2020 came the monumental "Lys / Mørke". A solo bass double album recorded on the arctic islands of Fleinvær in Northern Norway, "Lys / Mørke" can in many ways be seen as a response to the climate and ecological crisis, focusing in large on the conscious act of listening to the natural world. The album was premiered in Weill Recital Hall at Carnegie Hall on February 3rd, 2020, and received worldwide critical acclaim. 2022 sees the release of a new album called "Roraima", out February 18th. "Roraima" was commissioned by Oslo World for the festival in 2020, and reflects themes such as solidarity and ecological vulnerability and draws inspiration from the creation myth of the Yanomami people and the sound of the Amazon rainforest. The ensemble features Trygve Seim, Frode Haltli, Helga Myhr, Tanja Orning, Håkon Aase, Per Oddvar Johansen, and Sigurd Hole, and the music also includes field recordings of the Amazon biophony by US soundscape ecologist Bernie Krause. Besides his own projects Hole is known for his work with ensembles and musicians like Tord Gustavsen trio, Eple Trio, Karl Seglem acoustic quartet, Helge Lien, Bugge Wesseltoft, Eli Storbekken, Nils Økland, Terje Isungset, Frode Haltli and Trygve Seim. In this episode, Sigurd shares his background, education, and musical journey.
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Sunday Feb 27, 2022
Episode #81: Ari O’Neal
Sunday Feb 27, 2022
Sunday Feb 27, 2022
Ari O’Neal is a guitarist from Prince George’s County, Maryland. She’s been playing since the age of 10. Although she learned how to play guitar in many amazing music programs (Music & Arts Center, Levine School of Music, Juilliard's Jazz Camp, etc.), she never made it out into any collegiate music programs. After playing in churches and clubs around the DMV area. After being discovered on Instagram, she was called to play for Beyoncé at Coachella in 2018. That show led to the OTRII Tour, and then Normani, Fantasia, Nelly, Alicia Keys, and more. In this episode, Ari shares her background, education, and musical journey.
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Sunday Feb 20, 2022
Episode #80: Tomas Fujiwara
Sunday Feb 20, 2022
Sunday Feb 20, 2022
Tomas Fujiwara is a Brooklyn-based drummer and composer. Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming” (Troy Collins, Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double (with Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, and Taylor Ho Bynum), Tomas Fujiwara & The Hook Up (with Jonathan Finlayson, Brian Settles, Halvorson, and Michael Formanek) and The Tomas Fujiwara Trio (with Alessi and Seabrook); his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Halvorson and Formanek); and a diversity of creative sideman work with forward-thinking peers like Tomeka Reid and Matana Roberts. In The New York Times, Nate Chinen writes, “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever-shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint...A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.”
Born and raised in Boston, MA, Tomas studied with legendary drummer and teacher Alan Dawson for eight years before moving to New York at the age of 17. He is currently a member of ensembles led by Taylor Ho Bynum, Mary Halvorson, Matana Roberts, Nicole Mitchell, Matt Bauder, and Tomeka Reid, in addition to projects with artists such as Anthony Braxton, John Zorn, Michael Formanek, Ben Goldberg, and Benoit Delbecq, and has performed at festivals and venues across North America, Europe, Asia, Australia, and the Middle East. He also has many experiences outside the jazz realm, including a five-year run with the Off-Broadway show Stomp and performances with the Tony Award-winning Broadway musical Fela!, featuring Patti Labelle and members of Antibalas.
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Monday Feb 14, 2022
Episode #79: Gebhard Ullmann
Monday Feb 14, 2022
Monday Feb 14, 2022
Multi-instrumentalist Gebhard Ullmann grew up near Bonn, studied medicine and music in Hamburg starting in 1976, and moved to Berlin in 1983 to live as a professional musician. One year later, the 27-year-old was leading (and co-leading) his own bands, releasing his first albums in 1985. The next few years saw him working with Alexander Von Schlippenbach and Paul Bley (among many others) as well as touring the Middle East, East Africa, Australia, New Zealand, South East Asia, Turkey, Poland, Lithuania and Estonia. In this episode, Gebhard shares his background, education, and musical journey.
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Sunday Jan 30, 2022
Episode #78: Eliane Elias
Sunday Jan 30, 2022
Sunday Jan 30, 2022
Multi-GRAMMY®-winning pianist/singer/composer Eliane Elias’ distinctive musical style has emerged as one of the most unique and immediately recognizable sounds in jazz. Elias blends her Brazilian roots and alluring voice with her virtuosic instrumental jazz, her classical and compositional skills, while she consistently displays her pianistic mastery and ability to integrate the many artistic roles she takes on.
With nearly 30 albums and over 2.3 million albums sold to date, Eliane Elias is critically acclaimed, has a strong presence on Spotify with 565,000 monthly listeners and over 22 million Spotify listens for her song “Little Paradise.” She has toured in 71 countries, is a four-time Gold Disc Award recipient, a three-time Best Vocal Album winner in Japan and winner of the 2018 Edison Lifetime Achievement Award in Holland to name a few accolades. Her 2019 album Love Stories was voted “Downbeat’s Best Album of 2019- Masterpiece” and as most of her previous releases, hit #1 on the jazz charts worldwide.
Eliane’s skills together with her charismatic personality, bring a wide spectrum of musical experiences and unique presentations to the audience. As Jazziz proclaimed, Eliane is “A citizen of the world” and “An artist beyond category.” In this episode, Eliane shares her background, education, and musical journey.
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Sunday Jan 23, 2022
Episode #77: Myele Manzanza
Sunday Jan 23, 2022
Sunday Jan 23, 2022
Myele Manzanza is a drummer and composer who has rightfully earned himself a reputation as a visionary musician who is not afraid to experiment. Born in New Zealand to a Congolese master percussionist, and currently residing in London, Manzanza was raised listening to hip hop, jazz and dance music all of which strongly inform his current practice.
As a drummer and a sideman Manzanza regularly tours and collaborates with a broad range of artists across multiple genres including Theo Parrish, Mark de Clive-Lowe, Amp Fiddler, Miguel Atwood-Ferguson, Jordan Rakei, Ross McHenry, The Adelaide Symphony Orchestra, Ria Hall, Marcus Strickland, Recloose and Sorceress among countless others.
Manzanza has truly established himself on the world stage having being selected from over 20,000 applicants to participate in the Red Bull Music Academy in London. He has multiple solo album releases on esteemed international labels Sound Signature, First Word and BBE and is recognized as one of NZ top jazz musicians, having been nominated for the 2017 NZ Jazz Album of the Year for his sophomore album OnePointOne and 2020 APRA Best Jazz Composition for his work Mortality from the A Love Requited LP. In this episode, Myele shares his background, education, and musical journey.
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Sunday Jan 16, 2022
Episode #76: Jonny Kerry
Sunday Jan 16, 2022
Sunday Jan 16, 2022
Jonny was brought up in a musical family, his parents played in a country and western band along with his aunt and uncle that toured the UK with Chet Atkins. His Grandma on his father's side was a proficient pianist and his mother's parents played in the salvation army brass band. In this episode, Jonny shares his background, education, and musical journey.
At a very early age, Jonny became fascinated with the piano, it was through this instrument he would discover his love for music and singing. At the age of 14, Jonny played the Accordion that his grandfather bought for him and it was from this he found his passion for the instrument.
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